About
Enrico Dorigatti is an experimental sound artist and creative technologist. He is especially interested in the interaction between audio and visuals, generative systems, and shared agency between humans and machines in the artistic creation process.
As a PhD candidate at the University of Portsmouth (UK), he is currently conducting a research project revolving around repurposing sounds and objects in the context of sound art to foster reflection, through the artistic experience, on environmental and social issues related to the tech industry.
As a PhD candidate at the University of Portsmouth (UK), he is currently conducting a research project revolving around repurposing sounds and objects in the context of sound art to foster reflection, through the artistic experience, on environmental and social issues related to the tech industry.
Enrico Dorigatti is an experimental sound artist and creative technologist. He is especially interested in the interaction between audio and visuals, generative systems, and shared agency between humans and machines in the artistic creation process.
As a PhD candidate at the University of Portsmouth (UK), he is currently conducting a research project revolving around repurposing sounds and objects in the context of sound art to foster reflection, through the artistic experience, on environmental and social issues related to the tech industry.
As a PhD candidate at the University of Portsmouth (UK), he is currently conducting a research project revolving around repurposing sounds and objects in the context of sound art to foster reflection, through the artistic experience, on environmental and social issues related to the tech industry.
ACTIVITY
- Morphogenesis selected for the BFE/RMA Research Students’ Conference
- Reviewer for the 14° SAR International Conference on Artistic Research
- Morphogenesis selected for the SMC – Sound and Music Computing conference 2023
- Audio reactive generative visuals system (design & setup) for the UNESCO International Jazz Day @ Conservatorio F. A. Bonporti
- 76 selected for DACA 2022 – Data Art for Climate Action, along with the paper A Multimedia Representation of the Increase of Global Warming from 1940 to 2016
- Xeno selected for SMC 2022 – Sound and Music Computing Conference
- Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward paper selected for NIME 2022 – New Interfaces for Musical Expression
- Xeno selected for ICMC 2022 – International Computer Music Conference
- Life selected for ICMC 2022, along with the paper Automating Art: A Case-Study of Cellular Automata in Generative Multimedia Art
- Presentation of the PhD research project Sound Art from Scrap given at the 2022 UoP CCI PGR conference (Mobilities, Movement, Movements)
- Working on the multidisciplinary project Unpath 3.1 for the design and realisation of a gesture-controlled prototype of museum installation for the Mary Rose Museum Hackathon Week
- Morphogenesis (experimental electronic music, 3D audio)
- Xeno selected for the 10° ICFP – International Conference on Functional Programming
- Cryoconite (experimental electronic music, 3D audio)
- Xeno selected for the SOUND/IMAGE 22 festival
- Quantum selected for the SOUND/IMAGE 22 festival
- Interacting with E-Waste in the Name of Ecology and Sound Art paper selected for the DiMMI 2022 conference – Dictionary for Multidisciplinary Music Integration
- Acoustic Views of Dorgali paper selected for the DiMMI 2022 conference
- Interacting with Audio in Unity paper selected for the DiMMI 2022 conference
- Lecturer as part of the team delivering sessions for the Composition Portfolio module A.Y. 2022/23 (BA, L5)
- Honorable mention for the sound design realised for the Spectravelers Sound Design Contest 2021
- Xeno selected for the 22° edition of ISMIR – International Society for Music Information Retrieval Conference
- Xeno selected for the 15° edition of CMMR – International Symposium on Computer Music Multidisciplinary Research
- Live performance for a site-specific videomapping @ ART Stays Festival, Ptuj, Slovenia (artistic residency)
- Sound design and composition for Molvius, a short film projected on a water screen
- Dante, La Commedia, interactive touchless A/V installation (interaction design and implementation) @ Palazzo Casali, Cortona
- Interactive touchless A/V installation (interaction design and implementation) @ Valdichiana Village
- Luci dalle tenebre, interactive touchless A/V installation (interaction design and implementation, sound design, composition) @ MAEC Cortona
- Xeno selected for the 50° Sehsüchte Festival
- Xeno selected for the 26° edition of ICAD – International Conference on Auditory Display, along with the paper A New Perspective Over Audio-Video Relationship in Multimedia Art: A Case-Study
- Quantum selected for NYCEMF 2021 – New York City Electroacoustic Music Festival
- 76 (data-driven multimedia, HD images and stereo sound)
- Xeno selected for NYCEMF 2020 – New York City Electroacoustic Music Festival
- Sound design and composition for Molvius, a short film projected on a water screen
- Xeno selected for SIIDS 2020 – Sound, Image and Interaction Design Symposium
- Rituale (experimental electronic music, stereo)
- Quantum (experimental electronic music, stereo)
- Plastiq (experimental electronic music, 4.1)
- Notte (instrumental music, for Piano and Karnyx)
- URALi selected for the scientific program of the XVI SMC – Sound and Music Computing conference and presented with the paper URALI: A Proposal of Approach to Real-Time Audio Synthesis in Unity
- Recording, editing, mixing and mastering of the CD The Karnyx of Sanzeno – The call, produced by F. A. Bonporti Conservatory. Notte was included in this CD
- Night (mixed music, for Piano, Contralto and Live Electronics)
- Performance of Plastiq @ ElettroAQustica 2019
- Performance of Notte @ Il Karnyx di Sanzeno (conference)
- Performance of Plastiq @ XX Mondi Sonori
- Realization of Videowhirl, an interactive, multimedia videomapping installation @ XX Mondi Sonori
- Xeno (multimedia, HD images and stereo sound)
- Realization of URALI – Unity Real-time audio library, a software library designed to provide to Unity programmers a set of functionalities dedicated to audio synthesis and managemet
- Recording, editing, mixing and mastering of the CD Le strade del Natale, produced by Rotary Club Trento, L’Adige and F. A. Bonporti Conservatory
- Seæ (electroacoustic music, stereo)
- Life selected for the III Biennale d’Arte Contemporanea di Salerno
- Recording, editing, MIDI programming and mixing for the full-length CD Tales of the Forest, by Servan
- Performance of About a door @ MAE – Paesaggi sonori
- Remastering of the full-length CD Woods by Sytyr
- Life selected for the artistc program of the XXII CIM – Colloquio di Informatica Musicale
- Performance of Life @ ElettroAQustica 2018
- Life (generative, real-time multimedia artwork)
- Realization of Life, autogenerative audiovisual work, based on a custom 3D version of J. H. Conway’s Game of Life
- Mastering of the full-length CD DRF by Dark Forest
- Performance of About a door @ Music Circus
- S_II_R, autogenerative audiovisual work
- About a door (experimental electronic music, stereo)
Contacts
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