About
Enrico Dorigatti is a sound artist and creative technologist working across different formats. He is especially interested in the artistic exploration of indeterminism, audio-visual interaction, generative systems, and shared agency between humans and algorithms. Formerly a conservatory graduate (BA and MA in electroacoustic music composition) and with a broad IT background, he is currently a PhD candidate in creative technologies at the University of Portsmouth (UK). His artistic and scholarly output has been presented internationally
Enrico Dorigatti is a sound artist and creative technologist working across different formats. He is especially interested in the artistic exploration of indeterminism, audio-visual interaction, generative systems, and shared agency between humans and algorithms. Formerly a conservatory graduate (BA and MA in electroacoustic music composition) and with a broad IT background, he is currently a PhD candidate in creative technologies at the University of Portsmouth (UK). His artistic and scholarly output has been presented internationally.
Chronology
// Compositions //
Ascension (ukulele and live electronics)
Cryoconite (acousmatic, ambisonics)
Morphogenesis (acousmatic, ambisonics)
76 (audiovisual)
Quantum (acousmatic, stereo)
Runes (acousmatic, stereo)
Notte (piano and karnyx)
Night (piano, alto, and live electronics)
Xeno (audiovisual)
Plastiq (acousmatic, 4.1)
Saæ (acousmatic, stereo)
About a door (acousmatic, stereo)
Cryoconite (acousmatic, ambisonics)
Morphogenesis (acousmatic, ambisonics)
76 (audiovisual)
Quantum (acousmatic, stereo)
Runes (acousmatic, stereo)
Notte (piano and karnyx)
Night (piano, alto, and live electronics)
Xeno (audiovisual)
Plastiq (acousmatic, 4.1)
Saæ (acousmatic, stereo)
About a door (acousmatic, stereo)
// Compositions //
// Installations //
hyperobject::03 (videomapping)
[in.tangibile] (interactive sound art)
UNESCO Jazz Day (sound-reactive generative visuals)
hyperobject::02 (videomapping)
hyperobject::01 (generative audiovisual)
Dante, La Commedia (interactive museum inst.)
Luci dalle tenebre (interactive museum inst.)
Videowhirl (interactive audiovisual mapping)
Life (generative audiovisual, software)
S_II_R (generative audiovisual, software)
[in.tangibile] (interactive sound art)
UNESCO Jazz Day (sound-reactive generative visuals)
hyperobject::02 (videomapping)
hyperobject::01 (generative audiovisual)
Dante, La Commedia (interactive museum inst.)
Luci dalle tenebre (interactive museum inst.)
Videowhirl (interactive audiovisual mapping)
Life (generative audiovisual, software)
S_II_R (generative audiovisual, software)
// Installations //
// Writing //
Indeterminacy, Intention, and Exploratory Creative Practices
Missing memories: why we need to analyse spatialisation
Exploring Sound (in)Tangibility Through Interactive Interfaces
Ukulele and Electronics: Pushing the Boundaries of the Repertoire for Ukulele
Designing a Library for Generative Audio in Unity
Xeno
Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward
Automating Art: A Case-Study of Cellular Automata in Generative Multimedia Art
Interacting with Audio in Unity
Acoustic Views of Dorgali
Interactive with E-Waste in the Name of Ecology and Sound Art
A Multimedia Representation of the Increase of Global Warming from 1940 to 2016
A New Perspective over Audio-Video Relationship in Multimedia Art: A Case-Study
URALI: A Proposal of Approach to Real-Time Audio Synthesis in Unity
Missing memories: why we need to analyse spatialisation
Exploring Sound (in)Tangibility Through Interactive Interfaces
Ukulele and Electronics: Pushing the Boundaries of the Repertoire for Ukulele
Designing a Library for Generative Audio in Unity
Xeno
Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward
Automating Art: A Case-Study of Cellular Automata in Generative Multimedia Art
Interacting with Audio in Unity
Acoustic Views of Dorgali
Interactive with E-Waste in the Name of Ecology and Sound Art
A Multimedia Representation of the Increase of Global Warming from 1940 to 2016
A New Perspective over Audio-Video Relationship in Multimedia Art: A Case-Study
URALI: A Proposal of Approach to Real-Time Audio Synthesis in Unity
// Writing //
// Venues //
RIXC Art Science Festival (2024)
ArtSearch Int. Symposium (2024)
CLONE Videomapping Festival (2024)
IS2 – IEEE Int. Conf. on the Internet of Sound (2024)
Espacios Sonoros (2024)
Prix Russolo (2024 finalist)
AVI – Int. Conf. on Advanced Visual Interface (2024)
NoiseFloor Festival (2024)
Technarte Conference (2024)
UC Chile electroacoustic music festival (2024)
Sonorities Festival (2024)
Signal To Noise Festival (2024)
MAPSION Int. Videomapping Competition (2023 finalist)
UIC – Ukulele Int. Conf. (2023)
DAFx – Int. Conf. on Digital Audio Effects (2023)
ACMC – Australasian Computer Music Conf. (2023, 24)
FILE Festival (2023)
UNESCO Int. Jazz Day Trento (2023)
BFE/RMA – British Forum for Ethnomusicology/Royal Music Association Conf. (2023)
DiMMI – Dictionary for Multidisciplinary Music Integration Int. Conf. (2022)
SOUND/IMAGE Festival (2022)
FARM – Int. Workshop on Functional Art, Music, Modelling and Design (2022)
NIME – Int. Conf. on New Interfaces for Musical Expression (2022, 24)
ICMC – Int. Computer Music Conf. (2022, 24)
DACA – Int. Conf. on Data Art for Climate Action (2022)
Art Stays Festival (2021)
ICAD – Int. Conf. on Auditory Display (2021)
ISMIR – Conf. of the Int. Society for Music Information Retrieval (2021)
CMMR – Int. Symposium on Computer Music Multidisciplinary Research (2021)
Sehsüchte Film Festival (2021, 24)
SIIDS – Sound, Images, and Interaction Design Symposium (2020)
NYCEMF – New York City Electroacoustic Music Festival (2020, 21, 23)
Il Karnyx di Sanzeno Conference (2019)
Mondi Sonori Festival (2019)
SMC – Int. Sound and Music Computing Conf. (2019, 22, 23, 24)
ElettroAQustica Festival (2018, 19)
CIM – Colloqui di Informatica Musicale (2018)
Biennale d’Arte Contemporanea di Salerno (2018)
ArtSearch Int. Symposium (2024)
CLONE Videomapping Festival (2024)
IS2 – IEEE Int. Conf. on the Internet of Sound (2024)
Espacios Sonoros (2024)
Prix Russolo (2024 finalist)
AVI – Int. Conf. on Advanced Visual Interface (2024)
NoiseFloor Festival (2024)
Technarte Conference (2024)
UC Chile electroacoustic music festival (2024)
Sonorities Festival (2024)
Signal To Noise Festival (2024)
MAPSION Int. Videomapping Competition (2023 finalist)
UIC – Ukulele Int. Conf. (2023)
DAFx – Int. Conf. on Digital Audio Effects (2023)
ACMC – Australasian Computer Music Conf. (2023, 24)
FILE Festival (2023)
UNESCO Int. Jazz Day Trento (2023)
BFE/RMA – British Forum for Ethnomusicology/Royal Music Association Conf. (2023)
DiMMI – Dictionary for Multidisciplinary Music Integration Int. Conf. (2022)
SOUND/IMAGE Festival (2022)
FARM – Int. Workshop on Functional Art, Music, Modelling and Design (2022)
NIME – Int. Conf. on New Interfaces for Musical Expression (2022, 24)
ICMC – Int. Computer Music Conf. (2022, 24)
DACA – Int. Conf. on Data Art for Climate Action (2022)
Art Stays Festival (2021)
ICAD – Int. Conf. on Auditory Display (2021)
ISMIR – Conf. of the Int. Society for Music Information Retrieval (2021)
CMMR – Int. Symposium on Computer Music Multidisciplinary Research (2021)
Sehsüchte Film Festival (2021, 24)
SIIDS – Sound, Images, and Interaction Design Symposium (2020)
NYCEMF – New York City Electroacoustic Music Festival (2020, 21, 23)
Il Karnyx di Sanzeno Conference (2019)
Mondi Sonori Festival (2019)
SMC – Int. Sound and Music Computing Conf. (2019, 22, 23, 24)
ElettroAQustica Festival (2018, 19)
CIM – Colloqui di Informatica Musicale (2018)
Biennale d’Arte Contemporanea di Salerno (2018)
// Venues //
// Other roles //
SAG – Spatial Audio Gathering, co-organiser (2024)
Reviewer for the NIME conference (2024)
Technical high school ‘M. Buonarroti’ IT lab teacher (Sep. 23 – Feb. 2024)
Demonstrator in creative tech at the University of Portsmouth (May – Aug. 2023)
Reviewer for the 14th SAR – Society for Artistic Research conference (2023)
Teacher in creative tech. at the University of Portsmouth (2022)
Composer and technologist for Movimento Creative Label (project, 2019-21)
Reviewer for the NIME conference (2024)
Technical high school ‘M. Buonarroti’ IT lab teacher (Sep. 23 – Feb. 2024)
Demonstrator in creative tech at the University of Portsmouth (May – Aug. 2023)
Reviewer for the 14th SAR – Society for Artistic Research conference (2023)
Teacher in creative tech. at the University of Portsmouth (2022)
Composer and technologist for Movimento Creative Label (project, 2019-21)
// Other roles //
// Grants, prizes, and scholarships //
CLONE Videomapping Festival 1st prize ex aequo (2024)
M4C Consortium grant for the organisation of SAG (2024)
Technarte conference grant (speaker, 2024)
Sonorities Festival grant (artist, 2024)
ACM SIGPLAN/FARM grant (artist, 2022)
Fully-funded PhD scholarship, Univ. of Portsmouth (2021-24)
M4C Consortium grant for the organisation of SAG (2024)
Technarte conference grant (speaker, 2024)
Sonorities Festival grant (artist, 2024)
ACM SIGPLAN/FARM grant (artist, 2022)
Fully-funded PhD scholarship, Univ. of Portsmouth (2021-24)
// Grants, prizes, and scholarships //
// Misc //
ATEOS – ATEOS (digital EP, orchestration and MIDI programming, 2024)
Un amico per Molvius (animated short film, music and sound, 2021)
A sound effect (sound design contest, hon. mention, 2021, 24)
Molvius (animated short film, music and sound, 2020)
Il Karnyx di Sanzeno (CD, recording and post-production, 2019)
Servan – Tales of The Forest (CD, orchestration and MIDI programming, 2018)
Le Strade del Natale (CD, recording adnd post-production, 2018)
Dark Rain Forest – DRF (CD, post-production, 2018)
URALi – Unity Real-time Audio Library (programmer, own project, 2017)
Un amico per Molvius (animated short film, music and sound, 2021)
A sound effect (sound design contest, hon. mention, 2021, 24)
Molvius (animated short film, music and sound, 2020)
Il Karnyx di Sanzeno (CD, recording and post-production, 2019)
Servan – Tales of The Forest (CD, orchestration and MIDI programming, 2018)
Le Strade del Natale (CD, recording adnd post-production, 2018)
Dark Rain Forest – DRF (CD, post-production, 2018)
URALi – Unity Real-time Audio Library (programmer, own project, 2017)
// Misc //
// Compositions //
Ascension (ukulele and live electronics)
Cryoconite (acousmatic, ambisonics)
Morphogenesis (acousmatic, ambisonics)
76 (audiovisual)
Quantum (acousmatic, stereo)
Runes (acousmatic, stereo)
Notte (piano and karnyx)
Night (piano, alto, and live electronics)
Xeno (audiovisual)
Plastiq (acousmatic, 4.1)
Saæ (acousmatic, stereo)
About a door (acousmatic, stereo)
Cryoconite (acousmatic, ambisonics)
Morphogenesis (acousmatic, ambisonics)
76 (audiovisual)
Quantum (acousmatic, stereo)
Runes (acousmatic, stereo)
Notte (piano and karnyx)
Night (piano, alto, and live electronics)
Xeno (audiovisual)
Plastiq (acousmatic, 4.1)
Saæ (acousmatic, stereo)
About a door (acousmatic, stereo)
// Installations //
hyperobject::03 (videomapping)
[in.tangibile] (interactive sound art)
UNESCO Jazz Day (sound-reactive generative visuals)
hyperobject::02 (videomapping)
hyperobject::01 (generative audiovisual)
Dante, La Commedia (interactive museum inst.)
Luci dalle tenebre (interactive museum inst.)
Videowhirl (interactive audiovisual mapping)
Life (generative audiovisual, software)
S_II_R (generative audiovisual, software)
[in.tangibile] (interactive sound art)
UNESCO Jazz Day (sound-reactive generative visuals)
hyperobject::02 (videomapping)
hyperobject::01 (generative audiovisual)
Dante, La Commedia (interactive museum inst.)
Luci dalle tenebre (interactive museum inst.)
Videowhirl (interactive audiovisual mapping)
Life (generative audiovisual, software)
S_II_R (generative audiovisual, software)
// Writing //
Indeterminacy, Intention, and Exploratory Creative Practices
Missing memories: why we need to analyse spatialisation
Exploring Sound (in)Tangibility Through Interactive Interfaces
Ukulele and Electronics: Pushing the Boundaries of the Repertoire for Ukulele
Designing a Library for Generative Audio in Unity
Xeno
Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward
Automating Art: A Case-Study of Cellular Automata in Generative Multimedia Art
Interacting with Audio in Unity
Acoustic Views of Dorgali
Interactive with E-Waste in the Name of Ecology and Sound Art
A Multimedia Representation of the Increase of Global Warming from 1940 to 2016
A New Perspective over Audio-Video Relationship in Multimedia Art: A Case-Study
URALI: A Proposal of Approach to Real-Time Audio Synthesis in Unity
Missing memories: why we need to analyse spatialisation
Exploring Sound (in)Tangibility Through Interactive Interfaces
Ukulele and Electronics: Pushing the Boundaries of the Repertoire for Ukulele
Designing a Library for Generative Audio in Unity
Xeno
Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward
Automating Art: A Case-Study of Cellular Automata in Generative Multimedia Art
Interacting with Audio in Unity
Acoustic Views of Dorgali
Interactive with E-Waste in the Name of Ecology and Sound Art
A Multimedia Representation of the Increase of Global Warming from 1940 to 2016
A New Perspective over Audio-Video Relationship in Multimedia Art: A Case-Study
URALI: A Proposal of Approach to Real-Time Audio Synthesis in Unity
// Venues //
RIXC Art Science Festival (2024)
ArtSearch Int. Symposium (2024)
CLONE Videomapping Festival (2024)
IS2 – IEEE Int. Conf. on the Internet of Sound (2024)
Espacios Sonoros (2024)
Prix Russolo (2024 finalist)
AVI – Int. Conf. on Advanced Visual Interface (2024)
NoiseFloor Festival (2024)
Technarte Conference (2024)
UC Chile electroacoustic music festival (2024)
Sonorities Festival (2024)
Signal To Noise Festival (2024)
MAPSION Int. Videomapping Competition (2023 finalist)
UIC – Ukulele Int. Conf. (2023)
DAFx – Int. Conf. on Digital Audio Effects (2023)
ACMC – Australasian Computer Music Conf. (2023, 24)
FILE Festival (2023)
UNESCO Int. Jazz Day Trento (2023)
BFE/RMA – British Forum for Ethnomusicology/Royal Music Association Conf. (2023)
DiMMI – Dictionary for Multidisciplinary Music Integration Int. Conf. (2022)
SOUND/IMAGE Festival (2022)
FARM – Int. Workshop on Functional Art, Music, Modelling and Design (2022)
NIME – Int. Conf. on New Interfaces for Musical Expression (2022, 24)
ICMC – Int. Computer Music Conf. (2022, 24)
DACA – Int. Conf. on Data Art for Climate Action (2022)
Art Stays Festival (2021)
ICAD – Int. Conf. on Auditory Display (2021)
ISMIR – Conf. of the Int. Society for Music Information Retrieval (2021)
CMMR – Int. Symposium on Computer Music Multidisciplinary Research (2021)
Sehsüchte Film Festival (2021, 24)
SIIDS – Sound, Images, and Interaction Design Symposium (2020)
NYCEMF – New York City Electroacoustic Music Festival (2020, 21, 23)
Il Karnyx di Sanzeno Conference (2019)
Mondi Sonori Festival (2019)
SMC – Int. Sound and Music Computing Conf. (2019, 22, 23, 24)
ElettroAQustica Festival (2018, 19)
CIM – Colloqui di Informatica Musicale (2018)
Biennale d’Arte Contemporanea di Salerno (2018)
ArtSearch Int. Symposium (2024)
CLONE Videomapping Festival (2024)
IS2 – IEEE Int. Conf. on the Internet of Sound (2024)
Espacios Sonoros (2024)
Prix Russolo (2024 finalist)
AVI – Int. Conf. on Advanced Visual Interface (2024)
NoiseFloor Festival (2024)
Technarte Conference (2024)
UC Chile electroacoustic music festival (2024)
Sonorities Festival (2024)
Signal To Noise Festival (2024)
MAPSION Int. Videomapping Competition (2023 finalist)
UIC – Ukulele Int. Conf. (2023)
DAFx – Int. Conf. on Digital Audio Effects (2023)
ACMC – Australasian Computer Music Conf. (2023, 24)
FILE Festival (2023)
UNESCO Int. Jazz Day Trento (2023)
BFE/RMA – British Forum for Ethnomusicology/Royal Music Association Conf. (2023)
DiMMI – Dictionary for Multidisciplinary Music Integration Int. Conf. (2022)
SOUND/IMAGE Festival (2022)
FARM – Int. Workshop on Functional Art, Music, Modelling and Design (2022)
NIME – Int. Conf. on New Interfaces for Musical Expression (2022, 24)
ICMC – Int. Computer Music Conf. (2022, 24)
DACA – Int. Conf. on Data Art for Climate Action (2022)
Art Stays Festival (2021)
ICAD – Int. Conf. on Auditory Display (2021)
ISMIR – Conf. of the Int. Society for Music Information Retrieval (2021)
CMMR – Int. Symposium on Computer Music Multidisciplinary Research (2021)
Sehsüchte Film Festival (2021, 24)
SIIDS – Sound, Images, and Interaction Design Symposium (2020)
NYCEMF – New York City Electroacoustic Music Festival (2020, 21, 23)
Il Karnyx di Sanzeno Conference (2019)
Mondi Sonori Festival (2019)
SMC – Int. Sound and Music Computing Conf. (2019, 22, 23, 24)
ElettroAQustica Festival (2018, 19)
CIM – Colloqui di Informatica Musicale (2018)
Biennale d’Arte Contemporanea di Salerno (2018)
// Other roles //
SAG – Spatial Audio Gathering, co-organiser (2024)
Reviewer for the NIME conference (2024)
Technical high school ‘M. Buonarroti’ IT lab teacher (Sep. 23 – Feb. 2024)
Demonstrator in creative tech at the University of Portsmouth (May – Aug. 2023)
Reviewer for the 14th SAR – Society for Artistic Research conference (2023)
Teacher in creative tech. at the University of Portsmouth (2022)
Composer and technologist for Movimento Creative Label (project, 2019-21)
Reviewer for the NIME conference (2024)
Technical high school ‘M. Buonarroti’ IT lab teacher (Sep. 23 – Feb. 2024)
Demonstrator in creative tech at the University of Portsmouth (May – Aug. 2023)
Reviewer for the 14th SAR – Society for Artistic Research conference (2023)
Teacher in creative tech. at the University of Portsmouth (2022)
Composer and technologist for Movimento Creative Label (project, 2019-21)
// Grants, prizes, and scholarships //
CLONE Videomapping Festival 1st prize ex aequo (2024)
M4C Consortium grant for the organisation of SAG (2024)
Technarte conference grant (speaker, 2024)
Sonorities Festival grant (artist, 2024)
ACM SIGPLAN/FARM grant (artist, 2022)
Fully-funded PhD scholarship, Univ. of Portsmouth (2021-24)
M4C Consortium grant for the organisation of SAG (2024)
Technarte conference grant (speaker, 2024)
Sonorities Festival grant (artist, 2024)
ACM SIGPLAN/FARM grant (artist, 2022)
Fully-funded PhD scholarship, Univ. of Portsmouth (2021-24)
// Misc //
ATEOS – ATEOS (digital EP, orchestration and MIDI programming, 2024)
Un amico per Molvius (animated short film, music and sound, 2021)
A sound effect (sound design contest, hon. mention, 2021, 24)
Molvius (animated short film, music and sound, 2020)
Il Karnyx di Sanzeno (CD, recording and post-production, 2019)
Servan – Tales of The Forest (CD, orchestration and MIDI programming, 2018)
Le Strade del Natale (CD, recording adnd post-production, 2018)
Dark Rain Forest – DRF (CD, post-production, 2018)
URALi – Unity Real-time Audio Library (programmer, own project, 2017)
Un amico per Molvius (animated short film, music and sound, 2021)
A sound effect (sound design contest, hon. mention, 2021, 24)
Molvius (animated short film, music and sound, 2020)
Il Karnyx di Sanzeno (CD, recording and post-production, 2019)
Servan – Tales of The Forest (CD, orchestration and MIDI programming, 2018)
Le Strade del Natale (CD, recording adnd post-production, 2018)
Dark Rain Forest – DRF (CD, post-production, 2018)
URALi – Unity Real-time Audio Library (programmer, own project, 2017)
Contacts
To get in touch, connect through Linkedin, Instagram, or send an email
To get in touch, connect through Linkedin, Instagram, or send an email