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About

Enrico is a sound artist and creative technologist working across different formats. He is especially interested in the artistic exploration of indeterminism, audio-visual interaction, generative systems, and shared agency between humans and machines. He is a conservatory graduate in electroacoustic music composition (BA and MA). His artistic and scholarly output has been presented internationally

Enrico is a sound artist and creative technologist working across different formats. He is especially interested in the artistic exploration of indeterminism, audio-visual interaction, generative systems, and shared agency between humans and machines. He is a conservatory graduate in electroacoustic music composition (BA and MA). His artistic and scholarly output has been presented internationally

ACTIVITY

  • hyperobject::01 selected for the Sonorities Festival 2024 (exibitions/installations category)
  • Cryoconite selected for the Sonorities Festival 2024 (listening room category)
  • [in.tangibile] interactive sound art installation commissioned by Signal To Noise Festival
  • Selected to give a talk at the Technarte conference
  • Morphogenesis selected for the BFE/RMA Research Students’ Conference
  • Reviewer for the 14° SAR International Conference on Artistic Research
  • Morphogenesis selected for the SMC – Sound and Music Computing conference 2023
  • Audio reactive generative visuals system realised for the UNESCO International Jazz Day at Conservatorio F. A. Bonporti
  • Morphogenesis selected for NYCEMF – New York City Electroacoustic Music Festival
  • Xeno featured on the Sonic Scope Journal, Call and Response – Issue Five
  • Xeno selected for FILE SP 2023 festival, Videoart category
  • hyperobject::01 (generative audiovisual, HD projection and stereo sound)
  • Designing a Library for Generative Audio in Unity paper selected for DAFx 2023 – International Conference on Digital Audio Effects
  • Ascension (score for electric ukulele (GCEA) and electronics, written for and dedicated to Giovanni Albini)
  • hyperobject::01 showcased at the 2023 UoP CCI PGR conference
  • hyperobject::01 selected for ACMC 2023 – Australasian Computer Music Conference
  • Xeno selected for ACMC 2023 – Australasian Computer Music Conference
  • Life selected for ACMC 2023 – Australasian Computer Music Conference
  • Ukulele and Electronics: Pushing the Boundaries of the Repertoire for Ukulele paper selected for UIC 2023 – Ukulele International Conference
  • IT laboratory teacher at the ITT “M. Buonarroti” technical high school
  • hyperobject::02 (site-specific videomapping, HD projection and stereo sound)
  • hyperobject::02 shortlisted for the MAPSION 2023 International Videomapping Competition
  • 76 selected for DACA 2022 – Data Art for Climate Action, along with the paper A Multimedia Representation of the Increase of Global Warming from 1940 to 2016
  • Xeno selected for SMC 2022 – Sound and Music Computing Conference
  • Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward paper selected for NIME 2022 – New Interfaces for Musical Expression
  • Xeno selected for ICMC 2022 – International Computer Music Conference
  • Life selected for ICMC 2022, along with the paper Automating Art: A Case-Study of Cellular Automata in Generative Multimedia Art
  • Presentation of the PhD research project Sound Art from Scrap given at the 2022 UoP CCI PGR conference
  • Working on the multidisciplinary project Unpath 3.1 for the design and realisation of a gesture-controlled prototype of museum installation for the Mary Rose Museum Hackathon Week
  • Xeno selected for the 10° ICFP – International Conference on Functional Programming
  • Xeno selected for the SOUND/IMAGE 22 festival
  • Quantum selected for the SOUND/IMAGE 22 festival
  • Interacting with E-Waste in the Name of Ecology and Sound Art paper selected for the DiMMI 2022 conference – Dictionary for Multidisciplinary Music Integration
  • Acoustic Views of Dorgali paper selected for the DiMMI 2022 conference
  • Interacting with Audio in Unity paper selected for the DiMMI 2022 conference
  • Lecturer as part of the team delivering sessions for the Composition Portfolio module A.Y. 2022/23 (BA, L5)
  • Morphogenesis (acousmatic, ambisonics)
  • Cryoconite (acousmatic, ambisonics)
  • Honorable mention for the sound design realised for the Spectravelers Sound Design Contest 2021
  • Xeno selected for the 22° edition of ISMIR – International Society for Music Information Retrieval Conference
  • Xeno selected for the 15° edition of CMMR – International Symposium on Computer Music Multidisciplinary Research
  • Live performance for a site-specific videomapping at ART Stays Festival, Ptuj, Slovenia (artistic residency)
  • Sound design and composition for Un amico per Molvius, a short film projected on a water screen
  • Dante, La Commedia, interactive touchless A/V installation (interaction design and implementation) at Palazzo Casali, Cortona
  • Interactive touchless A/V installation (interaction design and implementation) at Valdichiana Village
  • Luci dalle tenebre, interactive touchless A/V installation (interaction design and implementation, sound design, composition) at MAEC Cortona
  • Xeno selected for the 50° Sehsüchte Festival
  • Xeno selected for the 26° edition of ICAD – International Conference on Auditory Display, along with the paper A New Perspective Over Audio-Video Relationship in Multimedia Art: A Case-Study
  • Quantum selected for NYCEMF 2021 – New York City Electroacoustic Music Festival
  • 76 (audiovisual, HD projection and stereo sound)
  • Xeno selected for NYCEMF 2020 – New York City Electroacoustic Music Festival
  • Sound design and composition for Molvius, a short film projected on a water screen
  • Xeno selected for SIIDS 2020 – Sound, Image and Interaction Design Symposium
  • Spell (acousmatic, stereo)
  • Quantum (acousmatic, stereo)
  • URALi selected for the scientific program of the XVI SMC – Sound and Music Computing conference and presented with the paper URALI: A Proposal of Approach to Real-Time Audio Synthesis in Unity
  • Recording, editing, mixing and mastering of the CD The Karnyx of Sanzeno – The call, produced by F. A. Bonporti Conservatory. Notte was included in this CD
  • Performance of Plastiq at ElettroAQustica 2019
  • Performance of Notte at the conference Il Karnyx di Sanzeno
  • Performance of Plastiq at XX Mondi Sonori
  • Realization of Videowhirl, an interactive, multimedia videomapping installation for XX Mondi Sonori
  • Plastiq (acousmatic, 4.1 sound)
  • Notte (score for piano and karnyx)
  • Night (score for piano, alto, and live electronics)
  • Xeno (audiovisual, HD projection and stereo sound)
  • Working demo of URALI – Unity Real-time audio library, a software library for real-time audio synthesis in Unity
  • Recording, editing, mixing and mastering of the CD Le strade del Natale, produced by Rotary Club Trento, L’Adige and F. A. Bonporti Conservatory
  • Life selected for the III Biennale d’Arte Contemporanea di Salerno
  • Recording, editing, MIDI programming and mixing for the full-length CD Tales of the Forest, by Servan
  • Performance of About a door at MAE – Paesaggi sonori
  • Remastering of the full-length CD Woods by Sytyr
  • Life selected for the artistc program of the XXII CIM – Colloquio di Informatica Musicale
  • Performance of Life at ElettroAQustica 2018
  • Seæ (acousmatic, stereo)
  • Mastering of the full-length CD DRF by Dark Forest
  • About a door performed at Music Circus, conservatory of Trento
  • Life (generative audiovisual, HD projection and stereo sound)
  • S_II_R (generative audiovisual, HD projection and stereo sound)
  • About a door (acousmatic, stereo)

Activity at a glance

Compositions

  • Ascension (ukulele and live electronics)
  • Cryoconite (acousmatic, ambisonics)
  • Morphogenesis (acousmatic, ambisonics)
  • 76 (audiovisual)
  • Quantum (acousmatic, stereo)
  • Runes (acousmatic, stereo)
  • Notte (piano and karnyx)
  • Night (piano, alto, and live electronics)
  • Xeno (audiovisual)
  • Plastiq (acousmatic, 4.1)
  • Saæ (acousmatic, stereo)
  • About a door (acousmatic, stereo)
Compositions

Installations

  • hyperobject::03 (videomapping)
  • [in.tangibile] (interactive sound art)
  • UNESCO Jazz Day (sound-reactive generative visuals)
  • hyperobject::02 (videomapping)
  • hyperobject::01 (generative audiovisual)
  • Dante, La Commedia (interactive museum inst.)
  • Luci dalle tenebre (interactive museum inst.)
  • Videowhirl (interactive audiovisual mapping)
  • Life (generative audiovisual, software)
  • S_II_R (generative audiovisual, software)
Installations

Writing

  • Exploring Sound (in)Tangibility Through Interactive Interfaces
  • Ukulele and Electronics: Pushing the Boundaries of the Repertoire for Ukulele
  • Designing a Library for Generative Audio in Unity
  • Xeno
  • Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward
  • Automating Art: A Case-Study of Cellular Automata in Generative Multimedia Art
  • Interacting with Audio in Unity
  • Acoustic Views of Dorgali
  • Interactive with E-Waste in the Name of Ecology and Sound Art
  • A Multimedia Representation of the Increase of Global Warming from 1940 to 2016
  • A New Perspective over Audio-Video Relationship in Multimedia Art: A Case-Study
  • URALI: A Proposal of Approach to Real-Time Audio Synthesis in Unity
Writing

Venues

  • AVI – Int. Conf. on Advanced Visual Interface (2024)
  • NoiseFloor Festival (2024)
  • Technarte Conference (2024)
  • IX UC Chile electroacoustic music festival (2024)
  • Sonorities Festival (2024)
  • Signal To Noise Festival (2024)
  • MAPSION Int. Videomapping Competition (2023 finalist)
  • UIC – Ukulele Int. Conf. (2023)
  • DAFx – Int. Conf. on Digital Audio Effects (2023)
  • ACMC – Australasian Computer Music Conf. (2023)
  • FILE Festival (2023)
  • UNESCO Int. Jazz Day Trento (2023)
  • BFE/RMA – British Forum for Ethnomusicology/Royal Music Association Conf. (2023)
  • DiMMI – Dictionary for Multidisciplinary Music Integration Int. Conf. (2022)
  • SOUND/IMAGE Festival (2022)
  • FARM – Int. Workshop on Functional Art, Music, Modelling and Design (2022)
  • NIME – Int. Conf. on New Interfaces for Musical Expression (2022, 24)
  • ICMC – Int. Computer Music Conf. (2022, 24)
  • DACA – Int. Conf. on Data Art for Climate Action (2022)
  • Art Stays Festival (2021)
  • ICAD – Int. Conf. on Auditory Display (2021)
  • ISMIR – Conf. of the Int. Society for Music Information Retrieval (2021)
  • CMMR – Int. Symposium on Computer Music Multidisciplinary Research (2021)
  • Sehsüchte Film Festival (2021, 24)
  • SIIDS – Sound, Images, and Interaction Design Symposium (2020)
  • NYCEMF – New York City Electroacoustic Music Festival (2020, 21, 23)
  • Il Karnyx di Sanzeno Conference (2019)
  • Mondi Sonori Festival (2019)
  • SMC – Int. Sound and Music Computing Conf. (2019, 22, 23, 24)
  • ElettroAQustica Festival (2018, 19)
  • CIM – Colloqui di Informatica Musicale (2018)
  • Biennale d’Arte Contemporanea di Salerno (2018)
Venues

Other roles

  • SAG -Spatial Audio Gathering, co-organiser (2024)
  • Reviewer for the NIME conference (2024)
  • Technical high school ‘M. Buonarroti’ IT lab teacher (Sep. 23 – Feb. 2024)
  • Demonstrator in creative tech at the University of Portsmouth (May – Aug. 2023)
  • Reviewer for the 14th SAR – Society for Artistic Research conference (2023)
  • Teacher in creative tech. at the University of Portsmouth (2022)
  • Composer and technologist for Movimento Creative Label (project, 2019-21)
Other roles

Grants and scholarships

  • M4C Consortium grant for the organisation of SAG (2024)
  • Technarte conference grant (speaker, 2024)
  • Sonorities Festival grant (artist, 2024)
  • ACM SIGPLAN/FARM grant (artist, 2022)
  • Fully-funded PhD scholarship, Univ. of Portsmouth (2021-24)
Grants and scholarships

Misc

  • ATEOS – ATEOS (digital EP, orchestration and MIDI programming, 2024)
  • Un amico per Molvius (animated short film, music and sound, 2021)
  • A sound effect (sound design contest, hon. mention, 2021, 24)
  • Molvius (animated short film, music and sound, 2020)
  • Il Karnyx di Sanzeno (CD, recording and post-production, 2019)
  • Servan – Tales of The Forest (CD, orchestration and MIDI programming, 2018)
  • Le Strade del Natale (CD, recording adnd post-production, 2018)
  • Dark Rain Forest – DRF (CD, post-production, 2018)
  • URALi – Unity Real-time Audio Library (programmer, own project, 2017)
Misc

Compositions

  • Ascension (ukulele and live electronics)
  • Cryoconite (acousmatic, ambisonics)
  • Morphogenesis (acousmatic, ambisonics)
  • 76 (audiovisual)
  • Quantum (acousmatic, stereo)
  • Runes (acousmatic, stereo)
  • Notte (piano and karnyx)
  • Night (piano, alto, and live electronics)
  • Xeno (audiovisual)
  • Plastiq (acousmatic, 4.1)
  • Saæ (acousmatic, stereo)
  • About a door (acousmatic, stereo)

Installations

  • hyperobject::03 (videomapping)
  • [in.tangibile] (interactive sound art)
  • UNESCO Jazz Day (sound-reactive generative visuals)
  • hyperobject::02 (videomapping)
  • hyperobject::01 (generative audiovisual)
  • Dante, La Commedia (interactive museum inst.)
  • Luci dalle tenebre (interactive museum inst.)
  • Videowhirl (interactive audiovisual mapping)
  • Life (generative audiovisual, software)
  • S_II_R (generative audiovisual, software)

Writing

  • Exploring Sound (in)Tangibility Through Interactive Interfaces
  • Ukulele and Electronics: Pushing the Boundaries of the Repertoire for Ukulele
  • Designing a Library for Generative Audio in Unity
  • Xeno
  • Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward
  • Automating Art: A Case-Study of Cellular Automata in Generative Multimedia Art
  • Interacting with Audio in Unity
  • Acoustic Views of Dorgali
  • Interactive with E-Waste in the Name of Ecology and Sound Art
  • A Multimedia Representation of the Increase of Global Warming from 1940 to 2016
  • A New Perspective over Audio-Video Relationship in Multimedia Art: A Case-Study
  • URALI: A Proposal of Approach to Real-Time Audio Synthesis in Unity

Venues

  • AVI – Int. Conf. on Advanced Visual Interface (2024)
  • NoiseFloor Festival (2024)
  • Technarte Conference (2024)
  • IX UC Chile electroacoustic music festival (2024)
  • Sonorities Festival (2024)
  • Signal To Noise Festival (2024)
  • MAPSION Int. Videomapping Competition (2023 finalist)
  • UIC – Ukulele Int. Conf. (2023)
  • DAFx – Int. Conf. on Digital Audio Effects (2023)
  • ACMC – Australasian Computer Music Conf. (2023)
  • FILE Festival (2023)
  • UNESCO Int. Jazz Day Trento (2023)
  • BFE/RMA – British Forum for Ethnomusicology/Royal Music Association Conf. (2023)
  • DiMMI – Dictionary for Multidisciplinary Music Integration Int. Conf. (2022)
  • SOUND/IMAGE Festival (2022)
  • FARM – Int. Workshop on Functional Art, Music, Modelling and Design (2022)
  • NIME – Int. Conf. on New Interfaces for Musical Expression (2022, 24)
  • ICMC – Int. Computer Music Conf. (2022, 24)
  • DACA – Int. Conf. on Data Art for Climate Action (2022)
  • Art Stays Festival (2021)
  • ICAD – Int. Conf. on Auditory Display (2021)
  • ISMIR – Conf. of the Int. Society for Music Information Retrieval (2021)
  • CMMR – Int. Symposium on Computer Music Multidisciplinary Research (2021)
  • Sehsüchte Film Festival (2021, 24)
  • SIIDS – Sound, Images, and Interaction Design Symposium (2020)
  • NYCEMF – New York City Electroacoustic Music Festival (2020, 21, 23)
  • Il Karnyx di Sanzeno Conference (2019)
  • Mondi Sonori Festival (2019)
  • SMC – Int. Sound and Music Computing Conf. (2019, 22, 23, 24)
  • ElettroAQustica Festival (2018, 19)
  • CIM – Colloqui di Informatica Musicale (2018)
  • Biennale d’Arte Contemporanea di Salerno (2018)

Other roles

  • SAG -Spatial Audio Gathering, co-organiser (2024)
  • Reviewer for the NIME conference (2024)
  • Technical high school ‘M. Buonarroti’ IT lab teacher (Sep. 23 – Feb. 2024)
  • Demonstrator in creative tech at the University of Portsmouth (May – Aug. 2023)
  • Reviewer for the 14th SAR – Society for Artistic Research conference (2023)
  • Teacher in creative tech. at the University of Portsmouth (2022)
  • Composer and technologist for Movimento Creative Label (project, 2019-21)

Grants and scholarships

  • M4C Consortium grant for the organisation of SAG (2024)
  • Technarte conference grant (speaker, 2024)
  • Sonorities Festival grant (artist, 2024)
  • ACM SIGPLAN/FARM grant (artist, 2022)
  • Fully-funded PhD scholarship, Univ. of Portsmouth (2021-24)

Misc

  • ATEOS – ATEOS (digital EP, orchestration and MIDI programming, 2024)
  • Un amico per Molvius (animated short film, music and sound, 2021)
  • A sound effect (sound design contest, hon. mention, 2021, 24)
  • Molvius (animated short film, music and sound, 2020)
  • Il Karnyx di Sanzeno (CD, recording and post-production, 2019)
  • Servan – Tales of The Forest (CD, orchestration and MIDI programming, 2018)
  • Le Strade del Natale (CD, recording adnd post-production, 2018)
  • Dark Rain Forest – DRF (CD, post-production, 2018)
  • URALi – Unity Real-time Audio Library (programmer, own project, 2017)

Contacts

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To get in touch, connect through Linkedin, Instagram, or send an email

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